Ghostlight Productions Shakespeare Abington Park Scranton

Ghostlight Productions Shakespeare Abington Park Scranton

Every year in late May and early June we are given something special here in Clarks Summit thanks to Ghostlight Productions and their vision for Shakespeare in the Park. Ghostlight productions pours months of planning into their production and this year is probably the most extravagent production they have ever put on. Ghostlight productions is the brain child of a husband and wife team Jonathan and Rachel Strayer and I believe they have been doing this for about 6 years. Each year over 1000 people come to Abington Park in Clarks Summit to see their latest rendition of a Shakespeare play. Every year their show gets bigger and bigger and I believe this year they had the biggest crowd they have ever had.

 

What exactly is Shakespeare in the Park?

New York Shakespeare Festival or Shakespeare in the Park is the cornerstone series of the New York City theatrical producing organization known as the Public Theater and happens every summer at the outdoor Delacorte Theater in Central Park. Built in 1961 and opened in 1962 the Delacorte hosts free performances of Shakespearean plays by the Public under Joseph Papp, that Shakespearean works should be available to everyone. ¬†Originally called the New York Shakespeare Festival under new re-organization and branding, the Public dropped “NYSF” from its name, and has labelled its Delacorte operations as simply “Shakespeare in the Park”

 

What play is being put on in Clarks Summit this year?

Macbeth (full title The Tragedy of Macbeth) is a tragedy written by William Shakespeare, and is considered one of his darkest and most powerful works. Set in Scotland, the play dramatizes the corrosive psychological and political effects produced when evil is chosen as a way to fulfil the ambition for power.

The play is believed to have been written between 1599 and 1606, and is most commonly dated 1606. The earliest account of a performance of what was probably Shakespeare’s play is the Summer of 1606, when Simon Forman recorded seeing such a play at the Globe Theatre.[1] It was first published in the Folio of 1623, possibly from a prompt book. It was most likely written during the reign of James I, who had been James VI of Scotland before he succeeded to the English throne in 1603. James was a patron of Shakespeare’s acting company, and of all the plays Shakespeare wrote during James’s reign, Macbeth most clearly reflects the playwright’s relationship with the sovereign.

Macbeth is Shakespeare’s shortest tragedy, and tells the story of a brave Scottish general named Macbeth who receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the throne for himself. He is then wracked with guilt and paranoia, and he soon becomes a tyrannical ruler as he is forced to commit more and more murders to protect himself from enmity and suspicion. The bloodbath and consequent civil war swiftly take Macbeth and Lady Macbeth into the realms of arrogance, madness, and death.

Shakespeare’s source for the tragedy is the account of King Macbeth of Scotland, Macduff, and Duncan in Holinshed’s Chronicles (1587), a history of England, Scotland and Ireland familiar to Shakespeare and his contemporaries, although the events in the play differ extensively from the history of the real Macbeth. In recent scholarship, the events of the tragedy are usually associated more closely with the execution of Henry Garnett for complicity in the Gunpowder Plot of 1605.[2]

In the backstage world of theatre, some believe that the play is cursed, and will not mention its title aloud, referring to it instead as “the Scottish play”. Over the course of many centuries, the play has attracted some of the most renowned actors to the roles of Macbeth and Lady Macbeth. It has been adapted to film, television, opera, novels, comic books, and other media.

 

 

 

 

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